Press Release
BlackStar Film Festival Releases 2024 Lineup
June 4, 2024
Philadelphia, PA
BlackStar Projects, the premier organization celebrating visionary Black, Brown and Indigenous film and media artists, is thrilled to announce the selections for the 2024 BlackStar Film Festival.
BlackStar Projects, the premier organization celebrating visionary Black, Brown and Indigenous film and media artists, is thrilled to announce the selections for the 2024 BlackStar Film Festival.
This year’s festival will take place from August 1-4, 2024 at the Kimmel Center for the Performing Arts, with additional screenings, parties and events at various venues across Philadelphia and corresponding virtual programming, marking the 13th annual celebration of the visual and storytelling traditions of Black, Brown and Indigenous people from around the world.
All access passes for the festival are available for purchase here; individual tickets for in-person and virtual screenings will go on sale in early July.
The 2024 BlackStar Film Festival is set to feature a total of 94 films representing 40 countries, including 16 world, 16 North American, 10 United States, 14 East Coast and 37 Philadelphia premieres. This year’s films engage with self-discovery, climate justice, immigrant rights, decolonization, and queer liberation.
Highlights from this year’s robust lineup include the world premiere of Darius Clark Monroe’s Dallas, 2019, a five-part series following multiple elected officials and their constituents, as a study in socialization; the United States premiere of Mohamed Jabaly’s Life is Beautiful, a powerful personal account of the use of storytelling to fight for rights as a Palestinian filmmaker; the North American premiere of Madeleine Hunt-Ehrlich’s The Ballad of Suzanne Césaire, which follows a postpartum actress’ search for meaning in the writings of Martinique’s lost literary figure; and the world premiere of a new narrative feature film directed by Shatara Michelle Ford.
“The filmmakers in this year’s program are unafraid to meet the moment,” said Festival Director, Nehad Khader. “Their films speak to what matters most to our communities today and to a collective vision that another world is possible.”
In addition to film, there will be a slate of festival programming both in-person and virtually. Selections include the return of BlackStar Pitch — a live competition which will award $75,000 in production funds to a winning short documentary – this year presented in partnership with Blackbird; a spotlight conversation on A Litany for Survival: the Life and Work of Audre Lorde, accompanied by a retrospective screening of the 1996 film directed by Ada Gay Griffin and Michelle Parkerson, and a Friday night concert and celebration at The Barnes Foundation.
“We are proud to present our thirteenth festival this August, amidst a time of unimaginable pain and loss, as a platform for urgent cinema of the global majority, critical discourse, and much-needed, joyful gathering,” says BlackStar Founder, Chief Executive & Artistic Officer Maori Karmael Holmes.
BlackStar Film Festival has grown in attendance year over year, with 25% of last year’s 15,000 attendees participating for the first time. Beyond the festival, BlackStar Projects continues to expand its scope and reach with innovative initiatives like the ongoing Philadelphia Filmmaker Lab, a year long fellowship program that awards $50,000 in production funds to four local filmmakers developing a short narrative film, and the North Star Fellowship, presented in collaboration with Points North, which supports media artists and filmmakers developing projects that span the latitudes of creative nonfiction.
Among BlackStar Projects’ other programs are Seen, a journal of film, art, and visual culture that will publish its seventh issue this fall, the William and Louise Greaves Filmmaker Seminar, and Many Lumens—BlackStar’s signature podcast, which finds BlackStar founder Maori Karmael Holmes in dialogue with the most groundbreaking artists, changemakers, and cultural workers of today. The organization also recently celebrated the addition of Judilee Reed, Chief Executive Officer of United States Artists, to the BlackStar board of directors. This follows the hiring of a number of new staff members earlier this year, including Amber Hunnicutt, Program Manager; Catherine Lee, Senior Director, Development & Operations; and Heidi Saman, Program Director.
The full lineup of films is below, with additional programming to be announced in the coming weeks:
After the Long Rains (Baada Ya Masika), directed by Damien Hauser
Áhkuin, directed by Radio-JusSunná / Sunná Nousuniemi and Guhtur Niillas Rita Duomis / Tuomas Kumpulainen
Albina Dream Survey, directed by Spencer Garland
Amma’s Pride, directed by Shiva Krish
And still, it remains, directed by Arwa Aburawa and Turab Shah
Angular Phoenix (Latitude Fénix), directed by Welket Bungué
The Archive: Queer Nigerians, directed by Simisolaoluwa Akande
Ardida, directed by Mir Morales Rosales
Auspicious Return, directed by Mahsati Fidel Moorhead
The Ballad of Suzanne Césaire, directed by Madeleine Hunt-Ehrlich
barrunto, directed by Emilia Beatriz
The Battle of Empty Stomachs (معركة الأمعاء الخاوية), directed by Diana Al-Halabi
Beyond the Door (Embrasure), directed by Victoria Neto
Bisagras, directed by Luis Arnías
Black Ag, directed by Andy Sarjahani
Black Girls, directed by B. Monét
Bloomed in the Water, directed by Joanne Mony Park
Boat People, directed by Al’Ikens Plancher
Bring Them Home, directed by Ivan MacDonald, Ivy MacDonald and Daniel Glick
Bring Your Name – the Sean Bell All-Stars, directed by Raafi Rivero
Broken Flight, directed by Erika Valenciana, Mitchell Wenkus
Burnt Milk, directed by Joseph Douglas Elmhirst
Bye Bye Tiberias (Bye Bye Tibériade), directed by Lina Soualem
City of Dreamz, directed by Imani Celeste
Criminal, directed by Robe Imbriano
Dallas, 2019, directed by Darius Clark Monroe
Dancing Palestine, directed by Lamees Almakkawy
The Dawn (Beutset), directed by Alicia Mendy
Dis-Ease, directed by Mariam Ghani
Do You See Me, directed by Walé Oyéjidé
Domino Days, directed by Ché Williams
Empty Your Pockets (جیبهایتان را خالی کنید), directed by Tara Aghdashloo
Enchunkunoto (The Return), directed by Laissa Malih
Enmity Djinn (المستتر), directed by Mohamed Echkouna
Expanding Sanctuary, directed by Kristal Sotomayor
Family Tree, directed by Jennifer MacArthur
Farmers of the Sea (Agricultores del mar), directed by Juan C. Dávila Santiago
The Flacalta Effect, directed by Rochée Jeffrey
Footwork, directed by Drake LeBlanc
Forbidden City, directed by Devin Jie Allen
Fractal, directed by Anslem Richardson
God is Grey, directed by Jennifer Drake
Grace, directed by Natalie Jasmine Harris
Happy Thanksgiving, directed by ishkwaazhe Shane McSauby
How to Sue the Klan, directed by John Beder
I Do Not Come to You by Chance, directed by Ishaya Bako
Indai Apai Darah (Mother, Father, Blood), directed by Kynan Tegar
Inky Pinky Ponky – the Odd One Out, directed by Damon Fepule’ai and Ramon Te Wake
It Was All a Dream, directed by dream hampton
Kano 4 (كانوا 4), directed by Ashtar Alahmad
Katele (Mudskipper), directed by John Harvey
Life is Beautiful (Al Haya Helwa), directed by Mohamed Jabaly
A Litany for Survival: the Life and Work of Audre Lorde, directed by Ada Gay Griffin and Michelle Parkerson
Mahdi Amel in Gaza (Mahdi Amel Fi Gaza), directed by Mary Jirmanus Saba and Tareq Rantisi
Mambar Pierrette, directed by Rosine Mbakam
Mend (Remendo), directed by GG Fákọ̀làdé
A Mother Apart, directed by Laurie Townshend
New Man, The (Omi Nobu), directed by Carlos Yuri Ceuninck
Nowhere Near, directed by Miko Revereza
The Great Othelo (Othelo, O Grande), directed by Lucas H. Rossi dos Santos
Our Land, Our Freedom, directed by Meena Nanji and Zippy Kimundu
The People Could Fly, directed by Imani Dennison
Pimpi, directed by Andrés Mosquera
Post Trauma, directed by Nidal Badarny
A Race in the Sun, directed by K. Nicole Mills
A Radical Duet, directed by Onyeka Igwe
Rising Up at Night (Tongo Saa), directed by Nelson Makengo
Run Like We, directed by Rhys Aaron Lewis
Saturn Risin9, directed by Tiare Ribeaux and Jody Stillwater
Scapegoat (Kabri i manz salad), directed by Nicolas Séry
Seeking Mavis Beacon, directed by Jazmin Renée Jones
Ship of Fools (سفينة الحمقى), directed by Alia Haju
So That Tonight We Might See, directed by Bea Hesselbart
Son of Samoa, directed by Laman Time
Songs From the Hole, directed by Contessa Gayles
Standing Above the Clouds, directed by Jalena Keane-Lee
A Stone’s Throw (على مرمى حجر), directed by Razan AlSalah
Strike, The, directed by JoeBill Muñoz and Lucas Guilkey
A Symphony of Tiny Lights, directed by Dominic Gill and Nadia Gill
Syppyt Suruktar Lost Letters, directed by Kyhynngy Oyuur
Tentsítewahkwe, directed by Katsitsionni Fox
Through the Storm, directed by Fritz Bitsoie and Charles Frank
To Exist Under Permanent Suspicion, directed by Valentin Noujaïm
Twice Into Oblivion (L’oubli tue deux fois), directed by Pierre Michel Jean
Two Refusals (Would We Recognize Ourselves Unbroken?), directed by Suneil Sanzgiri
Two Sun, directed by Blair Barnes
What Channel is Love?, directed by Michael Donte
The Whites of Our Eyes, directed by Yaba Blay and Maame Adjei
The Wind Telephone, directed by Jody Stillwater
Winding Path, directed by Alexandra Lazarowich, Ross Kauffman
The Witness Tree (साक्षी-रूख, Sakshi Rukh), directed by Niranjan Raj Bhetwal
Wouldn’t Make It Any Other Way, directed by Hao Zhou
You Don’t Have to Go Home, but…, directed by Aidan Un
Information on juries, additional programming and events will be announced soon. For more information on the festival and its programs, visit https://www.blackstarfest.org/festival.
This year’s festival is presented with major support from Open Society Foundations and Black Experience on Xfinity. Other sponsors include: AmDoc/POV, American Friends Service Committee, Andscape, Annenberg School for Communication at University of Pennsylvania, Black Public Media, The Center for Cultural Power, Color Congress, Documentary.org, Drexel University Westphal College of Media Arts & Design, Eventive, Firelight Media, The Gotham Film & Media Institute, International Documentary Association, Impact Partners, Indego, ITVS, NEON, Peace Is Loud, PECO, Pennsylvania Department of Community & Economic Development, Philadelphia Foundation, Philadelphia Museum of Art, Points North Institute, PNC Arts Alive, Runway, Soho House, StoryCorps, University of Pennsylvania Department of Cinema & Media Studies, Visit Philadelphia, Win Win Coffee, and WORLD Channel.
BlackStar Projects and its year-round programs are generously supported by Critical Minded, Ford Foundation, Hewlett Foundation, Independence Public Media Foundation, MacArthur Foundation, McLean Contributionship, Mellon Foundation, Nathan Cummings Foundation, National Endowment for the Arts, Pennsylvania Council on the Arts, Perspective Fund, The Pew Center for Arts and Heritage, Philadelphia’s Cultural Treasures, Philadelphia Foundation, Pop Culture Collaborative, Ruth Foundation for the Arts, Samuel S. Fels Fund, Surdna Foundation, Wallace Foundation, William Penn Foundation, and Wyncote Foundation, in addition to its board of directors, community partners, and a host of generous individual donors and organizations.
For press inquiries, please reach out to the team at ALMA.